Thursday, January 31, 2008

Single Of The Month - Sarabeth Tucek - Something For You


You may say that I’m a little bit obsessed with women singer-songwriters and you may be right. After Emily Jane White, Cat Power and Eleni Mandell let me introduce to you Sarabeth Tucek.
Born in Florida, raised in New York City, living now in California, Sarabeth Tucek tried to be at the beginning a movie star (
Flatliners, 1990). Later she started to play music and sure it was a better idea. She played with Bill Callahan (Smog) on the album Supper, loved Bob Dylan’s music – who liked Tucek’s sinister folk songs enough to ask her to open for him. She has recently completed her debut album (December, 2007). The self-titled album was co-produced by Ethan Johns (Kings of Leon/Ryan Adams/Ray LaMontagne) and Luther Russell (Richmond Fontaine/Fernando).
Something For You was her first single and is a beautiful song. Hot Tears, that you can hear on her MySpace, is also a very good one.

MySpace:
myspace.com/sarabethtucek
Label: echo.co.uk

Sarabeth Tucek - Something For You .mp3 via peeliever.twoday.net
Video: youtube.com

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Monday, January 28, 2008

Eleni Mandell - Iron & Wine @ The Divan


Mainly focused on the presence of Chan Marshall in Paris last week, I almost forgot to tell you that I went to the Divan du Monde few days before to hear Eleni Mandell (Saturday 19).
As the support act of Iron & Wine, I was quite interested to see her performing live. All I had in my hands before the show was a recording of a Morning Becomes Eclectic show on KCRW from 2003, her country period (Country For True Lovers). Besides, I must admit that I just heard here and there few of her studio recordings without giving much attention. Anyway, I wanted to see the lady playing live and it was the main reason I came to the Divan that night.
Her show was pretty imposing. Eleni Mandell stood alone with her small guitar in front of a quiet and respectful audience – I mean the audience who was in the front… Of course, she played mainly songs from her latest CD (Miracle Of Live, February 2007), her 6th. Between, she always tried to correspond with the listeners, mainly in French (she is in Paris right now to learn the language). She even covered a song from George Brassens (sorry, I forgot the title). All in all, everybody enjoyed, and I must confirm that it was a very pleasant performance. Eleni Mandell proved that she is solid singer-songwriter that deserves more attention from me. After her set, I had the chance to exchange few words with Eleni about her forthcoming album and I bought Miracle Of Live at a very reasonable price, 10 euros.
Right after, Iron & Wine filled the space (they were 8!). The first song, The Trapeze Swinger was tremendous. It gave me the thrill during 9 minutes. The rest of the show was, let’s say, “cool”, but the music from Iron & Wine didn’t touch me so much that night. Sorry guys, maybe next time.

Web:
elenimandell.com
MySpace: myspace.com/elenimandell
Label: zedtone.com

Eleni Mandell - Girls .mp3
Eleni Mandell - Make-Out King .mp3

Web:
ironandwine.com
MySpace: myspace.com/ironandwine

Iron & Wine - In My Lady's House .mp3
Iron & Wine - The Trapeze Swinger .mp3 via Line Of Best Fit

Photo: KatyEleni Mandell – Le Divan du Monde, Paris – January 19th, 2008

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Wednesday, January 23, 2008

Cat Power - Birthday Party In Paris


Cat Power and Paris built a strong relationship since years - maybe a love one - therefore it’s not a surprise that Chan Marshall choose the capital of France to celebrate her birthday as well as the released of Jukebox (Matador) last Monday (January 21st).
Many years ago, in her previous life, she found in France a steady audience long before that her own motherland or other European countries like England discovered her. As soon as she released What would The Community Think and played in Paris for the first time in 1996, she started to be follow by hundreds of fans who filed every venue she performed since (mostly alone). Whatever happened on stage – you know her reputation - people stood still with respect and affection even asking for more. Why? In the country of Verlaine and Rimbeau I guess you are ready to welcome a performer as fragile and beautiful as Chan Marshall especially when her voice and her songwriting create an intimate relation with your own sensibility.
I guess those longtime fans made the right choice, long after Cat Power is still there and praise by the world. The problem for them now is to share her with so many people and the question is do they wish to go again and see her in crowded halls where intimacy vanished.
I am one of them, never missed a show from Cat Power since 1997, last Monday was my 10th; bought all her albums… Last 21st, whatever will happen, I said to me “You must be at the Bataclan to celebrate Chan's Birthday”.
Of course, I was glad to see her so alive and happy, dancing, jumping on stage running from left to right like a young Mike Jagger. The music was good (songs from Jukebox, of course, but no Song To Bobby or Blue). The Dirty Delta Blues is “the” perfect band for her. Chan voice still a wonder. She even stayed on stage alone fifteen more minutes to share with crowd roses, setlist and presents (see picture). But, but…, I may say that I missed something, something that only happened in a Cat Power’s concert years ago. Anyway, that was really great and I was pleased to see her again.
Happy many returns Chan, you’re still the Greatest!

Cat Power will be in London the 27; will tour North America in February and Australia in March.

MySpace:
myspace.com/catpower
Label: Matador Records

Cat Power - Breathless (Nick Cave) .mp3 via The Yellow Stereo

Cat Power - Metal Heart .mp3
Cat Power - The Greatest .mp3
Cat Power - (I can't Get No) Satisfaction .mp3

Bonus:
Frank Sinatra - New York New York .mp3

Photo: Photos Concerts (Robert Gil) – Cat Power – Paris, le Bataclan – January 21st, 2008

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Sunday, January 20, 2008

Dear Emily Jane White


Thank you Emily Jane White, thank you so much. Since the beginning of this year I was wondering if 2008 would be like 2007, I mean quite good, but very boring. By now the answer is no and you are the reason for me to rejoice, your debut solo album Dark Undercoat already made my year. Ok, it was released in November 2007 on Oakland's Double Negative Records but who cares, like me, many people will only hear it in 2008. You know that it’s never too late to listen to what is very good.
To tell you the truth, Dark Undercoat brought me back in 1996 when I first heard the “dark folk” of Cat Power with the release of What Would the Community Think. I know you may be a little bit upset to be all the time compared to Chan Marshall, but I think you must be proud, because it is always a compliment. Anyway, who cares about Cat Power, Lauren Hoffman, Beth Orton, Hope Sandoval or Edith Piaf, you are Emily Jane White.
Emily Jane, I want you to know that I’m listening to Dark Undercoat again and again, it doesn’t leave my cd player and always give me a thrill. Thanks again. And, please, don’t change too much or too soon.

Web:
emilyjanewhite.com
MySpace: myspace.com/emilyjanewhite
Label: Double Negative Records

Emily Jane White - Wild Tigers I've Known .mp3 and the video here on YouTube
Emily Jane White - Bessie Smith .mp3

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Tuesday, January 15, 2008

Hervé Oudet - The End Of "Acoustic In Paris"






If you gave a regular visit to Leaky Sparrow since the beginning (thank you very much!), you know what is Acoustic In Paris. From Ellis Paul to Richard Shindell, Leaky Sparrow tried to review since two years almost every shows that were held in this little tiny pub located close to the Pantheon named La Pomme d’Eve (The Eve’s Apple). Each evening was much more than enjoyable and quite unusual in a city were acoustic music is almost ban. Thanks to Hervé Oudet to make it happened. Unfortunately, Acoustic In Paris will stop in few months. We will have to wait long before we could hear again those talented artists - known or unknown - that Hervé used to offer to the Parisians during four years. Hervé Oudet explained (in English, s’il vous plaît!) the reasons why he decided to put an end to this acoustic journey.

Leaky Sparrow: Hervé, you announced recently the end of the Acoustic In Paris adventure and that you will stop to organise concert every month at La Pomme d’Eve. Why?
Hervé Oudet: Yes, after four years and close to 50 shows and over 80 artists I have decided to discontinue the series. The main reason is that what once was a hobby has turned into a real part-time job with some impact on my business and family life.

LS: What made you start Acoustic In Paris four years ago? Was it the lack of acoustic concerts in Paris at that time?
HO: Actually yes, I was tired of seeing my favorite artists play everywhere in Europe, but not in France! When Karel was doing shows at the Hotel du Nord, he kindly accepted some of the acts I suggested to him, such as David Olney, Jack Williams, Ellis Paul, Peter Keane or Eric Taylor, until I decided to take a chance and promote those shows myself. Johan Asherton took me to a club his manager Gérard had found and when I decided to start the series, I knew where shows would be happening. La Pomme d'Eve is a very intimate setting for acoustic shows and when you're alone with your guitar in front of 50 to 100 persons, you can't cheat, you have to give the best of yourself. That's why most shows have been nothing short of magic.

LS: Didn’t you think about promoting that music in a different way maybe once in a while in some other hall or club?
HO
: Not right now. Setting up shows implies takes lot of hidden time and energy. The show itself is really the tip of the iceberg. And it's important to keep the series to a single venue. People don't talk about "Acoustic in Paris", but rather "La Pomme"!

LS: Hervé, what is your best souvenir from those last four years, the show that you will never forget?
HO: Without any hesitation, Bill Morrissey's first show in April 2005. I had been in touch with Bill for a couple of years after I discovered his music in 1995 and I wanted to bring him over. Bill is really one of the finest songwriters alive, along with David Olney, Eric Taylor or Guy Clark. He's also one of the few who has played for my series and has actually become a real friend. He stayed at our place and wrote a song there, Grave of Baudelaire which is on his new album Come Running. My wife and I have spent some time at his place in Tamworth, New Hampshire, and Bill took us to the Green River Festival where I could meet some of my other favorite songwriters who later played at la Pomme: Peter Mulvey, Jeffrey Foucault, Kris Delmhorst, Tracy Grammer and Jim Henry, Anais Mitchell. I could also shake hands with Steve Earle and Buddy Miller. Bill also drove us to the Edson cemetery in Lowell, Mass, where Jack Kerouac is buried (see picture above). Local songwriter Bob Martin was our guide. Bill is a walking encyclopaedia of folk, rock and jazz music. I was in heaven for 10 days!
Recently, Richard Shindell, Peter Mulvey and the two Plainsong shows with Iain Matthews and Andy Roberts were amazing and seeing a happy audience and happy artists is the most beautiful reward. My biggest regret is that Steve Young played on a strike day and only 30 persons showed up. And the artists I wish I had brought are John Gorka, Grayson Capps, David Francey and Lucy Kaplansky. I may be back, just for them!


The latest shows are: January 29, 2008: Tom Paxton * February 21: Jeffrey Foucault (and Joseph Parsons) * March 19: Kris Delmhorst * April 15 & 16: Greg Brown & Bo Ramsey. Tickets and reservations: Acoustic In Paris.

Some exclusives live recording from previous shows:
Kris Delmhorst - Hummingbird .mp3 – La Pomme d’Eve, Paris - October 12, 2006
David Olney & Thomm Jutz - Rex's Blues-Snowing on Raton .mp3 – La Pomme d’Eve, Paris – November 29, 2004
Eric Andersen & Inge Bakkenes - Blue River .mp3 – La Pomme d’Eve, Paris – July 7, 2005

Bonus:
Bill Morrissey - Will You Be My Rose .mp3
Bonus: Peter Mulvey - Old Simon Stimson .mp3

Photo 1: The grave of Jack Kerouac – From left to right
Bill Morrissey, Hervé Oudet, Bob Martin
Photo 2: Iain Matthews, Hervé Oudet, Patrick Chevalot (soundman) & Andy Roberts, Dec. 15 2007

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Saturday, January 12, 2008

Ryan Bingham - A Texan In Paris


As I told you lately, I discovered one of the oldest Irish pubs in Paris, maybe the oldest one, the Connolly's Corner. Every Sunday evening you got live music there, for free, mainly Irish traditional one but sometimes they invite country and western artists. For example, on December 30, they welcome a young Texan musician call Ryan Bingham.
Who is Ryan Bingham? Honestly, it was the first time that I heard his name when Hervé from
Acoustic In Paris encouraged me to go and see him. Bingham is a young Texan, a real one with a hat, a cowboy shirt and boots. It seems that he arrived in Paris straight from Brokeback Mountain… Musically, he has nothing really new to offer but I must admit that I enjoyed what I heard. More than one hour of pure alt-country. Ryan Bingham is a singer-songwriter with a whisky voice; his latest album, Mescalito, just came out last year in November. You can make your own opinion in visiting his MySpace, and, if he is around your town, you must reserve your evening to see him.

Web: binghammusic.com

Label: Lost Highway Records

Video:
Ryan Bingham - Southside Of Heaven
Ryan Bingham - Southside Of Heaven .mp3 via Pop Headwound
Ryan Bingham - Bread And Water (Stream) .mp3

Bonus:
Drive-By Truckers - Ronnie And Neil .mp3
Bonus: Ryan Adams - Games .mp3

Photo by Lucky Lady : Ryan Bingham - Conolly's Corner, Paris - December 30, 2007

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Monday, January 07, 2008

I'm Not There - Bob Dylan Revisited


Excuse my silence these last days, I've been a little bit lazy but that doesn't mean that I was staying at home doing nothing. For example, I had the chance to discover the music of Ryan Bingham one evening in one of the oldest Paris's Irish pub. I also bought - in a shop not on the web - the last Radiohead, In Rainbows. I'll try to come back later next days on those two discoveries.
To start this New Year, I want to write a little report about this amazing movie called
I'm Not There (2007). I’m sure that you read a lot about it or already seen it, I hope. My opinion is that this movie directed by Todd Haynes is not a film about Bob Dylan like everyone seems to think. Dylan is never on the screen. His name never mentioned. He’s nowhere. He’s not there. See Cat Blanchett for example, she’s not him, she’s just Jude. Jude who? Hey, Jude? Judas? I don’t believe her, she’s a liar…
Seriously, I'm Not There is a nostalgic carnival, a black and white puzzle with colors, a subtle kaleidoscope of words and faces. Also a game: where, when and who. History revisited. The perfect counterpoint to Martin Scorsese’s
No Direction Home: Bob Dylan. Great job Mister Haynes and Miss Blanchett you’re unbelievable!

Trailer:
I'm Not There

Bob Dylan - Going To New Orleans .mp3 from The Freewheelin’ Bob Dylan Outtakes (1993)
Bob Dylan - Positively 4th Street .mp3 from Bob Dylan’s Greatest Hits (1967)
Bob Dylan - Stuck Inside Of Mobile With The Memphis Blues Again .mp3 from Blonde On Blonde (1966)
Cat Power - Stuck Inside Of Mobile With The Memphis Blues Again .mp3 from I’m Not There – Original Soundtrack (2007) via Dead Flowers

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Tuesday, January 01, 2008

2008


Happy 2008!

Peace, love and music.

Dennis Wilson - River Song .mp3 from Pacific Ocean Blue (1977) via Sweet Billy Pilgrim

Photo: Les Repasseuses (1884) from Edgar Degas (1834-1917), Musée d’Orsay, Paris

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